Water Works Theatre Company Blog - Shakespeare in the Park in Royal Oak

Masks and Magic!

2011-07-21T11:23:00.001-04:00

Contributed by Holly Conroy

For ten years, I’ve relished our few weeks of intense preparation, then performances of Shakespeare in the Park. It’s always a treat to reunite with the folks at the heart of the company and to make new friends among each year’s volunteers, staff, and cast.

For ten years, it’s been my job to recruit ushers, set up the “house” for each performance, and see that those candles are lit to guide our patrons to their cars.

For ten years, mine has been the first face theatre-goers see when they arrive for our show—that’s me, taking tickets at the homemade ticket booth. I love Water Works and delight in seeing patrons return year after year to share the experience.

This year, for the first time in a decade, I’m taking on a job in addition to my house manager tasks and I’M HAVING A BLAST! Lucky me! I’m working with mask-maker extraordinaire Nina Barlow, helping to produce the masks that will be an integral part of our sure-to-be-fabulous Tempest this summer. In the process, I’m learning about myriad new materials and techniques that are just…So. Much. Fun!

Fun, yes. But Nina takes her masks very seriously. Masks have ceremonial significance in cultures worldwide and I’m pretty sure Nina knows about ’em all! When she makes a mask, every element is well considered, well executed, and imbued with meaning. Don’t think “Halloween,” think “art.”

And the process is mind-boggling. Check it out:

Step one: each actor who will wear a mask has their face cast in the same plaster material a broken limb sports!

Step two: wet plaster is poured into the face casts, to produce a positive version of each of them.

Step three: masks are sculpted over the positive casts from celluclay, thermalplastic, or papier maché—not the newspaper version from our youth, but sturdy brown paper soaked and softened in flour paste that’s been boiled to creamy consistency.

Step four: after drying, details may be added by combining materials.

Step five: more drying, then trimming edges and sanding.

Step six: surfaces are smoothed with modeling paste.

Step seven: surfaces are coated with gesso, a primer.

Step eight: acrylic paint is mixed in a range of colors (at least three and as many as six or seven…or more!), then airbrushed on layer by layer to enhance dimension.

Step nine: three or four layers of matte varnish are applied to protect the masks from weather—we’re in the park, after all!

Step ten: the inside of the masks are painted black.

Step eleven: the inside gets varnished, too.

Step twelve: padding is added for the actors’ comfort.

Step thirteen: the mask is fitted to the actor with an elastic or Velcro strap.

Step fourteen: Nina performs a ceremony with each mask before “sending it out into the world.”

Ah, but that’s just the simple masks! The more fantastical shapes or those with added special effects get even more complicated. Who knew?! My own involvement has been with the simpler processes, but it’s been a fascinating and rewarding experience, nonetheless. Now for the magic that will happen when the masks meet the actors and our patrons in the park… I can’t wait!

Note: The mask you see here will be raffled off during the run of The Tempest! You have a chance to own your very own Nina Barlow original!

A Kid's Eye View of Water Works Theatre

2011-07-18T14:13:00.003-04:00

Contributed By KidsAct! Student Jarod Clark

“I love Shakespeare in the Park; it is the best thing in the world.” I have said this on multiple occasions over the many summers I’ve been involved with Water Works. One of my favorite parts of Shakespeare in the Park is KidsAct!

KidsAct! (and Water Works Academy) are acting camps for grades 1-12. All of the teachers make it the best acting opportunity that you’ve had and probably will have. You learn three acting talents along with dance, sword fighting, improvisation, and Shakespeare.

My name is Jarod Clark. I’ve been in KidsAct! for five summers. Two years ago I even had the chance to perform in the main production. I was the first child actor for Water Works when I was cast in Macbeth, Water Works Professional play, last year. I worked in 3 fight scenes and even had a big death scene. It was cool … though my mom thought it really weird that she had to watch my death all those performances.

But now, more about KidsAct! ….
In dance, our awesome teacher, Frannie – who was also the director of the Commedia del’arte production last year -- choreographs the greatest dances and puts great music to them. Like last year we danced to Michael Jackson, and this past year she topped it off with a routine to Lady GaGa’s “Telephone.” Can I tell you that this was one cool dance?

In sword fighting and Shakespeare our awesome and favorite teacher Thomas comes all the way from New York City to work in KidsAct! My friends and I are all psyched that Thomas is coming back this year. In Shakespeare, he teaches us how to speak the words in Shakespeare. And what the particular scene means and how we should portray it.

In Improvisation (aka “Improv”) our teacher Kinicki plays games to keep our energy flowing through our bodies. We play fun games that show we know how to make up stuff up on the spot. Sometimes it’s really funny.

KidsAct! teaches great stuff. And it’s really fun to be part of each summer.

KidsAct! … Offering More Than Just a Week at Camp

2011-07-13T13:44:00.003-04:00

Contributed by KidsAct! Parent Jenni Clark

Five years ago, I dropped my son off at KidsAct! for the very first time. A week at “camp” in a park where he would learn sword-fighting and meet other kids who liked theatre … that was a nice idea. A week without him wandering around the house that didn’t “break the bank” – even better. I didn’t expect more than that.

The first day I picked him up, he was excited. He was quoting Shakespeare, learning improvisation, discovering the first steps of swordplay. He was hooked. And I was thrilled. The next year he played Romeo in the Balcony Scene of Romeo & Juliet. The next summer there was a Swordfight from Macbeth – and an actual chance for him to PERFORM in the show. Year Four … another swordfight, improv and a cool dance to a Lady Ga Ga tune. Now it’s not me asking Jarod if he’d like to go to KidsAct!… it’s Jarod asking me when it starts!

Last summer, Jarod said to me … “Shakespeare in the Park is the coolest thing in the world.” It’s so much more than just “a week at camp” for him now. It’s transferred from the Park to the “real world.” It’s given him the skills he needs to speak in public. It’s given him confidence and the ability to stand up in front of adults and talk. And they listen!

This March, Jarod did a speech for English and was selected to represent Royal Oak Middle School in the Optimist Club speech competition. And he developed the confidence and speaking skills during those weeks were I dropped him off at “camp.”

For us, KidsAct! is more than a week at camp. Sure it’s Fun, but kids like Jarod can take the things they learn out of the park and achieve amazing things at school. I have to agree with Jarod. Shakespeare in the Park is the coolest thing in the world. As a mom, I see the pay-off in my kid’s eyes. And on his Report Card too!

Working on The Commedia Aladdin

2011-06-20T14:28:00.010-04:00

Contributed by Michelle LeRoy, Director, The Commedia Aladdin by Lane Riosely

We had our first read through of the script. I can honestly say that I'm even more excited to get this process started. Not only were the auditions for this show the most fun I have ever had but the cast is great together. Casey is such a charmer. He's going to make you want Arlequin to win. David's Punchin playing the Momma cracks me up every time. Heidi is just so adorable, sorry Heidi but you are, and funny and Jillian's timing is brilliant. I can't wait to get to rehearsals. As I told my cast my mentor and inspiration for being in this business is Jim Henson. So for this show I cast each of the characters as both a Muppet show and Sesame Street character to use as a inspiration for me. I won't tell you who they are you'll just have to see if you can guess after watching the show.

Contributed by Emily Pierce, Stage Manager, The Commedia Aladdin by Lane Riosley

My name is Emily Pierce and I had the honor of stage managing for Water Works' 2010 production of Two Gentlemen of Verona & I will be stage managing the 2011 production of Commedia Aladdin. It is a wonderful organization to get involved with as the people involved are creative & passionate people who come from a variety of backgrounds. There is a lot to be learned from everyone involved and the group comes together much like a family. The audience is very loyal and many tend to brave the elements to see & support the productions.

Stagemanaging at Water Works is a unique experience. The rehearsals are fairly standard with taking blocking notes and making sure the production team knows about anything new that is needed or potential issues. The true challenge comes when the cast & crew move to the park. Anything can happen; from bad weather, random frisbees flying in, train going by, to critters and kids who try to investigate what is going on. Each night all props, microphones, costumes, sound & light boards need to be accounted for and locked away and the set tarped to protect them from the elements. It is a true test of time management, planning, & organization (occasionally being good at Tetris helps too). I love the excitement that comes with outdoor theatre and I think it is a great way to spend an afternoon/evening.

We both can't wait for you to experience our shows this season! See you soon!

2011-03-22T11:51:00.004-04:00

Contributed by Jeff Thomakos, Artistic Director & Director of The Tempest

Well it is Mid-March and already things are well underway for Water Works this summer. In fact, we have been working and planning since late last year. The first thing to decide was what the Shakespeare show would be. Hamlet was tossed around. So was Cyrano de Bergerac (not written by Shakespeare, I know, but it would still be great to do, don't you think?). In the end, we decided to go with our most requested show, The Tempest.

I have big plans for this show. The seeds of which started two years ago when we decided to add a family Commedia show to our summer repertoire. Commedia requires masks and I was on the hunt for a local mask maker who would be up to the task. After weeks of fruitless searching, Ed mentioned that he had a mask sitting in his office from a really talented lady named Nina Barlow. (Nina, it turns out, donated some masks for our 2002 art auction fundraiser and Ed bought one). I gave her a call and she turned out to be inspiring. Do you remember the awesomely realistic and bloody severed head of Macbeth? Yeah, that was her.

Ever since then, I have been determined to do a show that would highlight her work and The Tempest seemed like a perfect fit.

For those of you unfamiliar with the story, Prospero, the Duke of Milan, and his infant daughter are put out to sea in a small boat and left for dead by his usurping brother, Antonio. As luck would have it, however, they end up as castaways on an enchanted island inhabited by monsters and supernatural beings. Prospero, who also is a wizard of enormous power, ends up becoming ruler of the island. Many years later when a ship whose passengers include Prospero's evil brother and several of his fellow conspirators happens to pass by the island on the way home from a royal wedding, Prospero uses his magic to send a storm to sink the ship and bring the conspirators to the island where he can exact his revenge. Does he get his revenge? Is the boat really sunk? Does he get back home? Come see it and find out.

Monsters? Supernatural beings? Enchanted Island? Yes. Yes. AND YES! Ariel, Prospero's chief spirit, according to the script is a master of disguise. She (yes, she will be a "she" in our production) takes the form of a water nymph, a forest nymph, a harpy, and can turn invisible. There are also devils, mystical dogs, cannibalistic monsters, magical farmers (yep, magical farmers), and actual gods and demi-gods. In case you haven't figured it out yet, this is unlike any other play Shakespeare wrote. Even Midsummer Night's Dream doesn't contain this many magic spells and supernatural creatures.

Yes, masks seemed like the perfect way to bring all of this to life. Nina's work is spectacular and we've been giddily planning, prepping, and designing the wonderful faces you will see this summer. I have the show half cast at this point and have sent the actors that are already signed on to Nina's house to have their faces set in plaster so that their masks can be custom built.

The big question, though, is where do the masks fall in the scheme of things in our production? Are they costumes? Yes. Props? Yes. Some masks will require microphones, so that will put them under sound. Some masks will have LED lights built into them, so that is a lighting issue. Some masks may even be used to create sound. I have never worked a show in which collaboration and coordination was so vital to the production's success. But my team is, as usual, composed of an extraordinary list of great local talent which really helps me keep my hair from going white.

Of course, masks are just one part of the equation this summer. There's also the music, the set, some great new initiatives and programs, the awesome cast, the Daylight Family Show (which will be The Commedia Aladdin by Lane Riosley, in keeping with our magic theme this year), and, then there's what we're hoping to do in the trees…

Stay tuned and believe in magic.

Jeff

A Year Full of Passion, Talent and Enchanted Evenings

2010-08-05T12:13:00.007-04:00

Contributed by Jeff Thomakos, Artistic Director of Water Works Theatre

Well, another Water Works season is drawing to a close and I can hardly believe it. I knew it was going to be an odd year, when I met Ed, our executive director for coffee last fall and broke the bad news. The Purple Rose made me an offer I couldn’t refuse and I wouldn’t be available this season to direct anything. Ed was amazingly understanding and off we went to prepare for the season.

First, there was our Winter Fundraiser. To celebrate our ten years as a company, we invited every single person who has ever been a part of our shows that we could get a hold of. We then did scenes from all ten of our shows with original cast members reprising their roles. It was wonderful, but…phew…it was a lot of work. I spent months tracking people down, leaving voicemails and emails, and convincing people to come perform for us for free in the middle of winter. The task was daunting, but somehow, it turned into an amazing, enchanting evening that everyone thoroughly enjoyed.

Meanwhile, I was also hiring our artistic team. Don Hunter, a key person for us for the last two years, was moving back to Indiana and I had to find a stage manager who could fill his rather imposing shoes. Fortunately for us, Emily Pierce came in for an interview and I was completely wowed. Add to that, the great Emily Bowyer as Stage Manager for Commedia King Arthur and a huge weight was lifted.

This year we were also lucky enough to bring in Barton Bund as a director. Our team knew that we wanted to do a comedy this year, but we weren’t really sure which one. We didn’t want to repeat ourselves and do something we had already done like Midsummer or Much Ado. Love’s Labours Lost and Merry Wives of Windsor were thrown around a lot, but nothing seemed quite right. Then in walks Bart who says he’s willing to direct anything we want, but was really passionate about Two Gentlemen of Verona and felt he had a winning concept for it. Since it is my feeling that it’s best when directors direct shows they are passionate about, the decision to do Two Gentlemen of Verona with Bart as director was a no-brainer for us. His passion for the material beams from the stage every night and as a result, everyone has caught a bit of it - the actors, the audience…even the dog.

Bart suggested we bring in the brilliant Monika Essen who last worked with Water Works in our critically-acclaimed co-production with Performance Network, Nine Parts of Desire. What’s more, he convinced us to bring her in not only as a set designer, but also as the costume designer as well. As a result, the artistic vision of the show was unified in an amazing way. Everything compliments each other, everything fits.

With Shannon Kennedy and Tom Niemkeiwicz as Production Manager and Master Carpenter respectively, our super, amazing production team was assembled. All that was left was the casting.

Those of you who have already seen the show know what a fantastic cast we have this year. It’s a great mix of familiar Water Works faces like Rusty Mewha and Sara Wolf Molnar and new faces like Tommy Simon and Kevin Young. Everyone in the cast is fantastic. I am quite jealous.

You have one more weekend to experience this unique event. One more weekend to sit under the stars and laugh, and hear poetry and watch talented people take interesting characters to amazing places. Please come, and then tell us about your experience. If you are like the 10,000 other people who have seen a Water Works show, then I think you will find it to be unforgettably wonderful.

Real Stars of Shakespeare in the Park in Royal Oak

2010-08-02T10:00:00.015-04:00

Contributed by Ed Nahhat, Founder and Executive Director of Water Works Theatre

The 13 year-old boy selling popcorn in the park this year first learned stage sword fighting in KidsAct!; after which he was cast in our production of the “Scottish Play” in 2009, showing off his on-stage dying skills every night with professional actors. The girl who starred in Royal Oak High School’s musical last fall learned her first Shakespeare in the park with Water Works in 2004. The boys and girls who got cast in Gerard Butler’s upcoming movie Machine Gun Preacher are recent KidsAct! students, all of 10 and 12 years old, working with A-List talent on their first paid acting job.

For one local actress a small part with Water Works led to bigger roles and a highly sought place in a prestigious graduate theatre program. Another actress was so good in her first Water Works show that she won awards, catapulting her to roles in major films, including one with Robert DeNiro.

We know that Water Works doesn’t make people talented. But we work hard every year to offer talented people the opportunity to grow in their craft and career. We educate and empower artists (offstage and on) of any age. We also pay all of our artists, hiring local actors, designers, directors, graphic artists, and other vendors and suppliers. We offer the only outdoor professional Shakespeare event in Michigan. And we’re really proud that we run the only public event in Royal Oak that does not cost the local taxpayer a dime.

In fact, Water Works pays the city to use the park, and we pay for everything else that goes into a professional outdoor theatre event, from microphones to insurance to port-johns. Certainly we could not make it without our generous donors, neighborhood advertisers and ticket buyers. And we need more help in that department.

But the real stars of Shakespeare in the park in Royal Oak are:

our volunteers.

It’s not easy to explain why some people volunteer their time, or how one manages to recruit such wondrous people. But when it’s real, it’s just like finding gold in the ground. Water Works saves thousands of dollars in business expenses every year relying upon the generous and professional help of volunteers, from signage to bookkeeping, from house management to social networking, from manual labor to audio supplies, from legal advice to student interns. Personally, I think that even our “paid” people are so underpaid that they end up volunteering a lot of time too.

Everyone who donates their time, their talent, their insight and creative contribution to such an effort is a special kind of local hero to me. So this year, we decided to honor six of our Ten Year volunteers with Water Works’ “Best Friends Award” (custom made by local artists Edward Marsh and Nina Barlow). The honorees are: Tony and Jan Schmitt, Lisa and Duane Kimmel, Holly and Bryan Conroy and Sam and Mary Nahhat. But we have many other volunteers who are just as valuable to us, people who have given their time and talent in past years, or are stepping up today.

I can’t name them all here, but I know their names by heart. And if you come see our show, you’ll meet them, our real stars, one by one. And they’ll be smiling.

Come see us, and join in the fun.

In the photograph: A few of our "Best Friends" - Water Works 2010 honorees Lisa and Duane Kimmel with State Representative Marie Donigan and Water Works founder Ed Nahhat.

Sign Language Interpreting for the Theatre

2010-07-26T10:54:00.009-04:00

Contributed by Jamie Fidler, TerpTheatre Team Member
Two Gentlemen of Verona Understudy/Theatre Liaison

Shakespeare. The open air. Groovy 60’s fun! This experience of collaborating with Water Works Theatre has been enjoyable for all of us at TerpTheatre. As the understudy for our performing interpreters (Dan McDougall & Shelly Tocco) I’ve been able to watch the entire production come to fruition - despite spotty rain, pesky bugs, and complex Shakespearean language. The cast and crew have been a real pleasure to work. Dan and Shelly have stretched their brains trying to be creative with the language and also with the actors. I look forward to the performances when the Deaf and hearing audiences alike will be able to finally see the actors and interpreters color a new world of Shakespeare that, I’m sure, will be a good time had by all!

The July 25th and August 6th performances of The Two Gentlemen of Verona will be interpreted by TerpTheatre. Visit waterworkstheatre.com to order tickets.

To learn more about what we do, visit terptheatre.com.

The Magic of Starr Jaycee Park

2010-07-20T12:46:00.010-04:00

Contributed by Scott Myers, WWT Director of Public Relations

This weekend I sat in Starr Jaycee Park and watched something magical happen.

I've seen it nine times now and every time I am amazed at what happens when the cast of Water Works' annual Shakespeare In The Park in Royal Oak transitions from rehearsals off site to the first rehearsal on the stage in the park.

The truth is that it's always a bit of a mess. At the first park rehearsal no one knows exactly how they're going to get to and from the stage, what the sound is going to be like, where the lights are going to hit, where the audience will sit and if a frisbee will land on the stage from the park's disc golf course.

And yet it's at this moment that the magic of doing theatre outdoors under the stars begins to happen.

This weekend the woods started to come to life again. The bottoms of the leaves were illuminated by the stage lights, the sounds of footsteps began echoing through the branches and the laughter of the cast & crew filled the air. Sitting there in the park watching it take place, I couldn't help but envy the adventure of which this cast and crew were about to embark.

Over the next few days paths will begin to emerge from the grass around the theatre, the imprints of the cast making their way to and from the stage. They will find stories that aren't written, experiences the audience will watch before and after each character appears. A commaradarie will overcome the staff as together they bring a new shape, form, and energy to a work of art hundreds of years old, pulled into living color before our eyes, wrapping around the audience from the bleachers to the blankets down front.

The light will dance across the stage, the laughter, songs, and dancing will fill the air, the smells of popcorn and bug spray will waft through the park, and then three weeks later,only the paths will remain until the leaves begin to fall like Shakespeare's words falling back into place on his old pages.

History is made in Royal Oak, one Summer at a time.

It really is quite magical.

Enjoying the Rehearsals

2010-07-12T10:56:00.009-04:00

Contributed by Sara Wolf, playing the role of Julia in The Two Gentlemen of Verona

I am loving the rehearsal process. It is equal parts creativity and mischief and I love that A LOT. I'm enjoying the scene work, the way we are playing with the script, and discovering Julia. I enjoy IMMENSELY the people I work with, and I like being a part of this team. Did I mention there is a dog? There is a dog which is a major bonus. I think this show is going to have a lot to offer everyone- I'm so looking forward to playing for them. Dancing, acting, playing, DOG; this is great!

The Director's View

2010-07-06T21:34:00.020-04:00

By Barton Bund, Water Works Theatre 2010 Director of The Two Gentlemen of Verona

Working on The Two Gentlemen of Verona is like discovering a new play by your favorite writer. The guy is brilliant, we all know this, and we know some of his plays so well that we have a hard time seeing new productions. We compare it with others we have seen, or as actors, we tend to judge productions based on the different choices we would have made. At least I do.

This is different, because there isn’t some incredibly well-known legendary production starring John Gielgud. Even though I am sure he played all the roles in this show at various points in his life. We get to go in fresh. With young actors. We have so little frame of reference, so little historical whatnot to cling to, that we get to create a whole new world for ourselves.

Our Verona is a small town, a provincial dead end. Moving to Milan means stepping into the world of art, culture, fashion, and women. Very desirable for a young man with nothing to lose. We have set our production in the mid-1960s, a time of change. Think about maybe a few years after Mad Men, but just slightly before the Summer of Love. A world on the brink of change. And I don’t just mean the fashions. The politics, and the politics between men and women, were in flux. A perfect fit for Two Gentlemen.

These women are independent. They travel alone, they choose their mates, they run the entire cycle of life. And by cross-gender casting the role of the Duke, and playing her as a very hip, progressive modern gal, we have established a wonderful dynamic. This is the sexual revolution. But boys mature slower than girls. Men still struggle with women’s lib, just as much now as ever before.

The play is as good as Twelfth Night or Much Ado About Nothing. It gets done a lot less often, and it’s because it’s deceptive and complex. It’s like a screwball comedy with all the slapstick and sex jokes, but with a brain. Think of The 40 Year-Old Virgin. A guy comedy on the surface, with all the Animal House/Trading Places/Soul Man kind of low humor. And now imagine it written by the guy who wrote Antony and Cleopatra. What you get is a comedy with a capital C, but you also get some complicated insights into the nature of love, and why love is so darned complicated.

When two people fall in love, they are tossing a boulder into a still pond. The ripples are felt everywhere. All the odds are stacked against them. It is possible that the real love story here is between our two gentlemen. They try to remain friends, but when they fall in love with two terrific women, they act like fools. They make all the wrong choices, and plunge everyone into peril.

I love the play, and I’m so glad to have young actors with me who are willing to try anything. We have to get pretty silly in order to get a very serious point across. And what is our point? By the end, I’m not really sure. We get our hearts broken, but we had fun, didn’t we? As Marvin Gaye wisely said, “That’s the way love is, baby. Sho nuff how it is.”

Professional Stage Training for the Student Actor

2010-05-27T15:22:00.012-04:00

Water Works Theatre Company Presents

The Water Works Academy:
Professional Stage Training for the Student Actor

This one week intensive for high school and pre-college students uses a "summer stock" company approach, giving young actors the chance to create their own play! Our working professionals will guide students as they embark together writing, directing, stage managing, designing and performing a one-of-a-kind piece of theatrical magic on our outdoor Shakespeare stage in Starr Jaycee Park here in Royal Oak Michigan!

If you are ready to take your talents to the next level and have fun doing it, register now at

http://www.waterworkstheatre.com/

Water Works Academy
Professional Stage Training
for the Student Actor
Entering Grades 9-12th
July 26th - July 30th, 2010
9:00am - 3:00pm
Starr Jaycee Park
Royal Oak, Michigan
Registration $175 Per Student

Limited to 30 Students

Do You Know A Student Actor?
Please share the information our workshop information.
Thank you for your support!

Celebrating our 10th Season!

http://www.waterworkstheatre.com/

Audition Dates for Shakespeare in the Park in Royal Oak 2010

2010-03-30T11:59:00.000-04:00

Water Works Theatre Company
Auditions for Shakespeare in the Park in Royal Oak 2010

Two Gentlemen of Verona by William Shakespeare
Directed by Barton Bund
&
The Commedia Tales of King Arthur by Lane Riosley
Directed by Frannie Shepherd-Bates

GENERAL AUDITIONS
Friday, April 16 & Tuesday, April 20
Time slots are available between 6:15 p.m. and 10pm
St. John's Episcopal Church
Southeast corner of Woodward Avenue and 11 Mile Road in Royal Oak.
There is a large parking lot to the east of the building off of 11 Mile.
Actors will enter the church near the garage building at the south end of parking lot.

CALLBACK AUDITIONS TBA (Late April)

Actors who want to reserve a time slot for General Auditions should request their preferred time via email to: waterworksbackstage@earthlink.net, or voice message to: (248) 399-3727.

Actors please prepare a classical comedic monologue no longer than two minutes in length. Thirty seconds of additional time will be allotted for those who wish to play an instrument and/or sing.

All roles are open to Equity and Non-Equity actors
Equity members will be engaged by approved Special Appearance Agreement.
All non-Equity actors will be paid a small stipend.

Two Gentlemen of Verona will be performed in Royal Oak’s Starr Jaycee Park Thursdays through Sundays from July 22 – August 8, 2010. The Commedia Tales of King Arthur will be performed Tuesday and Wednesday nights at 7pm and weekend mornings at 11am from July 27 – August 8, 2010 with possible travel shows the weekend of August 20th.

About Water Works Theatre Company

Since 2001 Water Works has presented Shakespeare in the Park in Royal Oak and other award-winning productions. Water Works enhances the quality of life in the community by offering Michigan’s only outdoor professional Shakespeare event, close to home in Royal Oak’s Starr Jaycee Park. Water Works’ mission is to provide a place to call home for local professional actors, designers, directors, teachers and other artists in a dynamic collaboration with skilled professional volunteers and other community supporters. Learn more at www.waterworkstheatre.com.